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・ Eddie Hasha
・ Eddie Haskell
・ Eddie Haverty
・ Eddie Hawkins
・ Eddie Hayes
・ Eddie Hayes (lawyer)
・ Eddie Hayward
・ Eddie Hazel
・ Eddie Healey
・ Eddie Hearn
・ Eddie Hearne
・ Eddie Heatley
・ Eddie Hemmings
・ Eddie Hemmings (cricketer)
・ Eddie Hemmings (rugby league)
Eddie Henderson (musician)
・ Eddie Henderson (soccer)
・ Eddie Hernández
・ Eddie Heron
・ Eddie Hertsenberg
・ Eddie Hertzberger
・ Eddie Heywood
・ Eddie Hice
・ Eddie Hickey
・ Eddie Hickey (baseball)
・ Eddie Higgins
・ Eddie Higgins (baseball)
・ Eddie Hill
・ Eddie Hinson
・ Eddie Hinton


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Eddie Henderson (musician) : ウィキペディア英語版
Eddie Henderson (musician)

Eddie Henderson (born October 26, 1940) is an American jazz trumpet and flugelhorn player. Henderson's influences include Booker Little, Clifford Brown, Woody Shaw and Miles Davis.
==Family influence and early music history==
Henderson's mother was one of the dancers in the original Cotton Club. She had a twin sister, and they were called The Brown Twins. They would dance with Bill "Bojangles" Robinson and the Nicholas Brothers. In the film showing Fats Waller playing "Ain't Misbehavin'", Henderson's mother sat on the piano whilst Waller sang to her. His father sang with Billy Williams and The Charioteers, a popular singing group.
At the age of nine he was given an informal lesson by Louis Armstrong, and he continued to study the instrument as a teenager in San Francisco, where he grew up, after his family moved there in 1954, at the San Francisco Conservatory of Music.〔 As a young man, he performed with the San Francisco Conservatory Symphony Orchestra.
Henderson was influenced by the early fusion work of jazz musician Miles Davis, who was a friend of his parents.〔(R. J. DeLuke "Eddie Henderson: Healing with Music" at all about jazz )〕 They met in 1957 when Henderson was aged seventeen, and played a gig together.
After completing his medical education, Henderson went back to the Bay area for his medical internship and residency - and the break that thrust him fully into music. It was a week-long gig with Herbie Hancock's Mwandishi band that led to a three-year job, lasting from 1970-73. In addition to the three albums recorded by the group under Hancock's name, Henderson recorded his first two albums, ''Realization'' (1972) and ''Inside Out'' (1973), with Hancock and the Mwandishi group.
After leaving Hancock, the trumpeter worked extensively with Pharoah Sanders, Mike Nock, Norman Connors, and Art Blakey's Jazz Messengers, returning to the San Francisco Bay Area in 1975 where he joined the Latin-jazz group Azteca, and fronted his own bands. He also recorded with Charles Earland (popular for his version of "Let the Music Play" in 1978), and later, in the 1970s, led a rock-oriented group. While he gained some recognition for his work with the Herbie Hancock Sextet (1970–1973), his own records were considered too "commercial".〔(Scott Yanow at allmusic.com )〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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